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Catherine Goodman

Catherine Goodman

I love the free style of Catherine Goodman's portraits which give the impression that she works very quickly, almost sketching from the first brushstroke to the final mark that tells her she's 'done'. I particularly admire her imaginative use of colour and bold brushstrokes to achieve an apparently rough and ready style while losing nothing in the likeness of her subjects nor in the powerful observation of light and shade seen in more traditional painting. Have a squint at Catherine's work at catherinegoodman.co.uk to see what I mean

Catherine Goodman Self Portrait

Catherine Goodman Self Portrait

Catherine Goodman

Stephen Frears - The Film Director

Paul Cezanne

recently visited the exhibition of Cezanne's portraits at one of my favourite places in London, The National Portrait Gallery. Now, I was taught to remember 'there are no lines in nature' which isn't a bad rule for someone like me to make sure a painting from life is, well, lifelike as far as possible. Cezanne must have missed that lesson and I was struck by how the strong outlines in his portraits do have a kind of cartoon quality but then, being well off, Cezanne  didn't need to make a living from his art. So, maybe the magical simplicity that makes his work so identifiable and appealing comes from the fact that he painted mostly for his own enjoyment and could afford to ignore all the rules - or could be he was just a genius for whom rules don't apply.

Paul Cezanne

Self Portrait (1887)

Paul Cezanne

Ambroise Vollard (1899)

Paul Cezanne

The Artist's Father (1866)

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